Course Subject: English
Course Subject: English
Crime Literature
Starting with the birth of detective fiction, one of the most popular literary genres, and moving to creative nonfiction, we will consider the appeal of stories about grisly murders and trace an arc from a more comfortable belief in the nature of justice to suspicion about police powers. Coinciding with this increased suspicion is a movement away from white detectives and white victims, to crimes targeting people of color, who were legally barred from giving testimony (and thus seeking legal redress) for much of the country’s history. Do stories give us cathartic release when a bad guy is punished? Is there some sort of poetic justice in exposing the inequities of the past even if the murderers have gone free? And what does crime fiction’s popularity suggest about our relationship to our criminal justice system, about our perception of its workings, and about the larger American tenet of equality before the law?Philosophy: The Meaning of Life through Moral Dilemmas (BVR-X)
Have you ever wondered what the meaning of life is or if a decision you made was the right one? Have you ever played the game, “Would you rather…?” Then you have done philosophy! Philosophy equips us with critical thinking and logic to navigate the world around us. Every day, we are faced with taking a stand on difficult moral questions and accept judgment on how we should lead our lives. You want to learn why people think, debate, love, hate, have emotions, and make (sometimes bizarre) decisions; or why people follow religions, search for truth, vote conservative or liberal; or you just want to learn how to make difficult decisions and how we should live our lives. Then this is your class. Be prepared to tackle challenging, real-life situations, consider alternative perspectives, understand how our brain makes decisions, and rethink your notion of morality, right and wrong, and what we ought to do to find the meaning of life. Take a class and discover not just what is, but also what could be! This class counts for English credits. Students can opt to take this class at the Honors level. Open to Grade Levels: 11, 12Road Trip
Interests:
Literature
As Ursula Le Guin said, “It is good to have an end to journey toward; but it is the journey that matters, in the end.” Why is that? What makes a journey an adventure, and why do journeys seem to yield so much challenge and disaster and surprise and beauty? Whose road trips are allowed and whose aren’t? Together, through novels, film, history, politics, and art, we’ll explore everything from the archetypes to the dangers to the history of ‘hitting the road’ to the road itself. These are indelible stories, and we hope you join us for the ride.
Literature of Food
For millennia, humans have had a unique and ever-shifting relationship with their food. From growing vegetables in the soiled ground to buying a Big Mac at the drive-through, we all relate to and connect with food and tastes in varied ways. Additionally, from Fatima Ali to Rebecca May Johnson to Will Guidara, chefs and authors have explored what we eat, how we eat, and how our relationship with food matters. In this class, we will read, write, cook, and eat. Using a range of narratives, we’ll examine the politics of food, food insecurity, and how our relationship to what we eat and how we eat informs, nourishes, and shapes our lives.Student Directed Project – SDP
Interests:
Architecture, Business, Design, Engineering, Film, Hands On, Health, Law, Literature, Politics, Psychology, Research, Social Justice, Social Sciences, Sports
A Student-Directed Project empowers students to do an in-depth exploration of a topic of interest throughout the term.
The student designs, plans, and leads their research project in collaboration and with the guidance and support of a coach (faculty advisor). It allows students to delve deeper into their passion and to be the designer of their own learning. There is a wide range of Student-Directed Projects; they are multi-disciplinary, non-linear, and most importantly, student-created and led.
That’s what makes them so interesting.
Here are some examples of past projects:
- Creating an architectural model using 3D architectural software
- Through their eyes: Photo and interview series of veterans
- Robosub electromagnetic linear accelerator
- Acoustic pinger for Robosub
- Virtual Reality game for visually-impaired persons
- Creating a concept album
- Dispute: Landlord-tenant board game
- Multimedia journalism: Producing a podcast series
- Perplex: English and Theater Study
- Sensors and fiber optics: Building a fiber optic dress
- Haptic technologies: Force-Feedback Virtual Reality
- Applications of integrals to analytical continuation of functions
Screenwriting (BVR-X)
How do the stories that we write change when we know that they will be interpreted visually and audibly? In this course, students will craft compelling narratives written in the form of scripts. This class will also collaborate with Video Production. Together, we will view and critique film and brainstorm and workshop ideas, and students in Video Production will work with students in Screenwriting to adapt their screenplays to film. With an emphasis on dialogue and indirect characterization, students will learn how to use screenwriting programs to develop short films or television episodes. Over the course of the term, students will storyboard, pitch, workshop, iterate, and see their ideas be reinterpreted through the production and acting of fellow collaborators. Think you have the next great idea for a (short) screenplay? Now is your chance to give it life.Money, Money, Money (BVR-X)
What is money’s place in society? What is the correlation between money and power? What do money and power reveal about inequity in society? Everything from politics to education to professional sports to technology to the economy to media sends, reinforces, and challenges messages about money and power, and in this class students will examine these intersections and consider their own roles in the systems around them. Students will read fiction and non-fiction, write, watch, and listen; and question, research, collaborate, and present.Short Stories
Interests:
Literature
How does something so small pack such a big punch? Such is the nature of a short story. You’ll hone in on story elements by investigating a variety of stories and writers. Everyone has a story to tell. You’ll experiment with turning your own stories into short fiction, and you will continue to develop analytical essay writing skills.