Debate Archives - Beaver Country Day School

Literature of Lies

Interests: Debate, Psychology, Reading, Storytelling, Writing

What are our expectations for truth in memoirs and fake news? And how do we feel about unreliable narrators, lies within the story world, tall-tales, and satire? We will ask how lies are constructed narratively, and what we lose and gain when and if we stop trusting our stories. As we consider various types of narrative untruth, we’ll dive into some cognitive psychology to learn about the trustworthiness of memory (and how forgetting creates gaps that false information can fill) as well as our susceptibility to fake news. Together the class will allow us to ask what is “true” in our post-truth world.

This class will have a particular focus on the skills of reading, analytical writing, and project design.

11th

12th

English

Zero to Hero: The Hero’s Journey to Character

Interests: Debate, Film, Reading, Storytelling, Writing

Heroes aren't born—they're made. What drives individuals to face impossible challenges, push beyond their limits, build themselves up, and confront the unknown? This course explores stories of adventure and growth of fictional and real-life heroes, focusing on how adversity shapes character, values, and moral strength. Using Joseph Campbell’s framework of The Hero’s Journey, students will examine how trials of courage, sacrifice, and perseverance cultivate resilience and leadership. Through literature, history, and film, students will analyze the psychological and ethical dimensions of heroism, considering whether true greatness lies in bold action or quiet integrity. By studying a diverse slate of texts students will reflect on how cultural ideals of heroism evolve and what it means to live with purpose. Through literary analysis, creative writing, and research, this course challenges students to not only explore heroic narratives but to consider how they can define and embody these values in their own lives.
This class will have a particular focus on the skills of reading, analytical writing, and project design.

11th

12th

English

Madness to Mental Health

Interests: Debate, Health, Psychology, Reading, Wellness, Writing

Who you callin’ crazy? How do we respond to those whose mental states diverge from the norm, and how do we tell stories about them? Starting with Greek tragedy, working our way through Shakespeare, and ending with student-chosen modern texts, we’ll explore the history of mental illness in Western literature. We’ll examine the language used to talk about mental health, how it has evolved, and how depictions differ across time and culture. Projects will involve options ranging from creative writing to psychology research, giving students opportunities to explore topics of interest to them within mental health narratives.

This class will have a particular focus on the skills of reading, analytical writing, and creative writing.

11th

12th

English

Sports Literature

Interests: Debate, Education, Fiction, Literature, Non-fiction, Reading, Sports, Writing

How can sports’ narratives illuminate human experiences? How have sports been used to establish and connect with shared and individual identity? And how can examining the role of sports-in both fiction and real life-give us greater insight into our society? These are just some of the questions we'll address through themes of triumph, determination, teamwork, pursuit of perfection, sacrifice, defeat, and identity. Digging into works that focus on various team and individual sports-from basketball to figure skating, swimming to soccer, baseball to rugby--we'll examine the words of athletes, coaches, and fans to explore sports as allegory, how sports history has shaped our contemporary understanding of place and self, and how storytelling in sports contributes to national mythology. From the allegory of the game to the ethical questions raised in our society, this course invites students to critically engage with the myriad ways sports’ narratives illuminate the human experience. This class will have a particular focus on the skills of reading and creative writing.

11th

12th

English

Crime Literature

Interests: Criminology, Debate, Film, Justice, Law, Literature, Reading, Writing

Starting with the birth of detective fiction, one of the most popular literary genres, and moving to creative nonfiction, we will consider the appeal of stories about grisly murders and trace an arc from a more comfortable belief in the nature of justice to suspicion about police powers. Coinciding with this increased suspicion is a movement away from white detectives and white victims, to crimes targeting people of color, who were legally barred from giving testimony (and thus seeking legal redress) for much of the country’s history. Do stories give us cathartic release when a bad guy is punished? Is there some sort of poetic justice in exposing the inequities of the past even if the murderers have gone free? And what does crime fiction’s popularity suggest about our relationship to our criminal justice system, about our perception of its workings, and about the larger American tenet of equality before the law?

This class will have a particular focus on the skills of reading and creative writing.

11th

12th

English

Literature of Food

Interests: Debate, Food, Health, Literature, Reading, Social Justice, Writing

For millennia, humans have had a unique and ever-shifting relationship with their food. From growing vegetables in the soiled ground to buying a Big Mac at the drive-through, we all relate to and connect with food and tastes in varied ways. Additionally, from Fatima Ali to Rebecca May Johnson to Will Guidara, chefs and authors have explored what we eat, how we eat, and how our relationship with food matters. In this class, we will read, write, cook, and eat. Using a range of narratives, we’ll examine the politics of food, food insecurity, and how our relationship to what we eat and how we eat informs, nourishes, and shapes our lives. This class will have a particular focus on the skills of creative writing and project design.

11th

12th

English

Screenwriting

Interests: Debate, Film, Literature, Reading, Writing

How do the stories that we write change when we know that they will be interpreted visually and audibly? In this course, students will craft compelling narratives written in the form of scripts. Together, we will view and critique film and brainstorm and workshop ideas With an emphasis on dialogue and indirect characterization, students will learn how to use screenwriting programs to develop short films or television episodes. Over the course of the term, students will storyboard, pitch, workshop, iterate, and see their ideas be reinterpreted through the production and acting of fellow collaborators. Think you have the next great idea for a (short) screenplay? Now is your chance to give it life. This class will have a particular focus on the skill of creative writing.

12th

Global History & Social Sciences

Advanced History: Theories of Punishment (Honors)

Interests: Criminology, Debate, Law, Politics, Psychology, Social Justice, Social Sciences

What aspects of culture and politics promote criminal justice reform? How can the United States achieve an effective justice system that protects public safety while also confronting issues related to restoration for those impacted by crime, both the victim and the accused? Is the prison industrial complex used by the government and industry to address social, political and economic challenges? In this course, students are introduced to criminology and penology. Students will examine historical trends, current programs related to reform, and examine the psychological impact and role that poverty, lack of mental health services, addiction, trauma, and education has had on the lives of incarcerated people. They will participate in forums led by people whose work or volunteerism is connected to addressing existing issues within the system and engage in field-based experiences. Students will explore topics of choice and design viable solutions.

11th

12th

English

Short Stories

Interests: Debate, Literature, Reading, Storytelling, Writing

How does something so small pack such a big punch? Such is the nature of a short story. You’ll hone in on story elements by investigating a variety of stories and writers. Everyone has a story to tell. You’ll experiment with turning your own stories into short fiction, and you will continue to develop analytical essay writing skills. This class will have a particular focus on the skills of reading, analytical writing, and creative writing.

11th

12th

English

Great Books

Interests: Debate, Fiction, Film, Literature, Reading, Writing

When was the last time you were responsible for picking your reading for a course? At the beginning of this class, you will generate a list of books you want to read, and then you will campaign for your favorite; after the campaign season ends, you’ll vote, and several books will win. We’ll spend the term reading them, examining them for character, theme, structure, style, and message. How does choosing the text intersect with investment in the reading? Is the text a great book? Ultimately, you decide whether the books deserve spots on the shelf and how you go about choosing your next read. You will respond to the reading in various forms of writing, class discussions, projects, and presentations.

Previous winners: 1984, Room, Lolita, Brave New World, Catch 22, Adventures of Huckleberry Finn, Lord of the Flies, Scarlet Letter, On the Road, The Kite Runner, Harry Potter and the Sorcerer’s Stone, Gone Girl, Fight Club.

This class will have a particular focus on the skills of reading and analytical writing.

11th

12th

English

Literature and Film

Interests: Debate, Film, Literature, Reading, Writing

Did you like the movie or the book better? Is this a sensible question, or are we being asked to compare unlike genres? In this course we will investigate these two art forms, comparing the narrative possibilities — and limitations — of each. How do these modes of storytelling differ in terms of their effects? What can film achieve that a novel or play cannot, and vice versa? What is lost in the translation of literature into film, and what makes a “good” adaptation? We will read novels and plays, and we will study a film based on each. You will think and write critically about how these stories are told on the printed page and on the screen, analyzing the cultural impact of each medium. This class will have a particular focus on the skills of reading and analytical writing.

10th

English

English 10: American Literature

Interests: Debate, History, Identity, Law, Literature, Politics, Psychology, Reading, Required Course, Writing

What does it mean to be American? From the perspectives of indigenous people to the revolution that defined our independence to slavery and its legacy to the very cases contended today in the Supreme Court, we address the range of Americanism, the beautiful and the sordid. Students write, read, debate, create, reflect, act, film, craft, and present as ways of asking big questions, answering the questions with specific evidence, and acknowledging the complexities of those answers. Readings include fiction, non-fiction, memoir, poetry, and drama, and writings ask students to question the literature, its language and its purpose. Students hone their thesis development skills, practice finding and incorporating meaningful, interesting evidence, and build their analytical reasoning, and they bring these skills to all of their work. Myth and Meaning in American Literature In this course, we turn to great American writers whose work articulates contemporary America, and we use these writings to ask the questions: What does it really mean to be American? What are the myths about America and how do they show up in literature? How do those myths shape our understanding of characters and their actions? How do these myths evolve? How are they being disrupted? How do authors create characters and narratives who wrestle with America’s past? How do these characters and narratives help us face their futures? Identity in American Literature How does love show up in the world? How do self-love and friendship and romantic love and love of place show up in our world and in literature? What happens when love isn’t there? How does love help us understand ourselves better? There are myriad tangible and intangible ways that love helps us define ourselves and our world -- from large scale identifiers like nation and religion, to the little things, like choosing what shoes to wear in the morning. In this term, we look at America through a range of lenses, and all of these lenses ultimately help inform our own perspectives of who we are and why we believe the things we do.