English 9: Power and Perspectives

Throughout both the Power and Perspectives trimesters, students read, write, act, create, listen, watch, wonder, debate, and present; they work independently and collaboratively, use their questions as starting points for their work, and employ technology to deepen their learning. Ultimately, they find ways to connect the characters and themes to their own lived experiences and to the world today. Readings can include fiction, non-fiction, memoir, poetry, and drama, and we read some as a full class and others in small groups; students reflect on and question the texts in a range of writing assignments, anything from scripts for podcasts to analysis of themes to creation of a missing chapter or a PSA. The work stretches their imagination as well as their analytical skills, writing styles, and ability to craft meaningful products.  Power In this trimester course, we question the nature of power and reflect on the ways we ourselves use our power and respond to power. In our readings, we look at the intersection of power and our characters’ gender, age, race, political beliefs, socio-economic reality, or experience; we wonder about the relationship between power and fate; and we ask why some characters let power compromise their beliefs while others use their power for good. Perspectives This course is designed to introduce students to the complex nature of perspective and bearing witness in literature. Through the examination of various texts, students will engage in close reading and critical analysis. They will explore the ways in which different characters and narrators shape the story and influence reader engagement. Students will also learn to examine the relationship between form and content, exploring how different writing techniques can influence our understanding of characters and events. In addition to close analysis of texts, students will also engage in discussions, writing assignments, and projects that encourage them to reflect on their own perspectives and experiences. Through these activities, students will explore how perspective is shaped by cultural, historical, and personal factors and understand the importance of witnessing and engaging with these perspectives as they understand their world. By the end of the course, students will have a deeper understanding of the role of perspective in shaping meaning in literature, and will be equipped with the skills necessary to analyze and engage with texts in a critical and thoughtful manner.

English 11: The View Within

Carlos Fuentes once commented that writing is a “struggle against silence,” while Anais Nin believed people write “to taste life twice.” There is no question that writing is a fundamental human act, but why do people write? What are the various motives that compel people to put pen to paper? How does a writer’s purpose influence the content and style of their writing? These are some of the questions that guide students’ reading and writing of creative non-fiction, including complex non-linear story structures. In the true spirit of the essay, which in the original French means ‘to attempt,’ students are encouraged to experiment with language, probe their beliefs, and incorporate rhetorical devices, in the hopes that they find a voice that resonates with them authentically.

English 8

Interests: Literature
The 8th grade English course focuses on identity, with narratives involving adolescent characters reflecting on their interactions and experiences, responding to injustice, and questioning the status quo. Students respond to readings in a variety of modes: collaborative projects, personal reflections, expository essays, and creative compositions. The creative assignments allow individual freedom, stimulate imagination, and inspire risk-taking. Expository pieces prompt students to reflect on and respond to their readings and typically adhere to the five-paragraph format with the iterative process involving brainstorming, outlining, drafting, and revising. Students are encouraged to explore original modes of expression such as song, video, and visual arts. In general, emphasis is placed on development of creative problem-solving, collaboration, and study skills.  Possible texts: The House on Mango Street by Sandra Cisneros; In the Heights by Quiara Alegria Hudes and Lin-Manuel Miranda; I’ll Give You the Sun by Jandy Nelson; Every Day by David Levithan; The Outsiders by S. E. Hinton; Romeo and Juliet by William Shakespeare; short stories, poems, and independent reading choices are also part of the course.

English 7

Interests: Literature
Why are there stories? What makes a story? How are stories told? What is our story? These essential questions guide our reading, writing, and discussion in 7th grade English. Considering the essential elements of a story leads to an exploration of the many different ways stories are told: from spoken word through literature, poetry, drama, art and song, into more modern modes like podcasts, movies, and animation. We investigate the struggle to ensure rights for all citizens by largely focusing on fictional accounts highlighting the time period between 1920 and the present. We study the tactics of great readers, learning to be aware of our thought processes while we read, developing strategies to better understand a given text. We focus on the iterative writing process and supporting our ideas with adequate details while extending the depth and quality of our work. Creative problem solving, empathy, effort, and collaboration are our cornerstones and are always honored. Possible texts:= Witness by Karen Hesse; Ghost Boys by Jewell Parker Rhodes; The Absolutely True Diary of a Part-Time Indian by Sherman Alexie;; The Book Thief by Markus Zusak; Fresh Ink: An Anthology.